|Mo - So||9,00 Euro||Kino 1|
|Mo - So||7,00 Euro||Kino 2/3|
|Jeden Tag||4,00 Euro||für Freundeskreis-Mitglieder|
|Ab 130 Minuten Filmlänge plus Euro -,50|
|Ab 150 Minuten Filmlänge plus Euro 1,-|
|Bei Sonderveranstaltungen gesonderte Preise (laut Aushang)|
|Kino Karten/Kasse/Informationen: Fon: +49 - (0)30 - 24 25 969 (ab 17.00 Uhr)|
|Luis Buñuel at Babylon|
|21.5. – 6.6. 2018|
|All films OV mit English Subtitles|
|Liste der Filme Filme/Films Programm|
|Liste der Filme|
Ein andalusischer Hund (Un chien andalou)
1960: The Young One [Das junge Mädchen] MX 1960
Andaluz Dog [Un chien andalou, Ein andalusischer Hund]
FR, 1929, R: Luis Buñuel mit Pierre Batcheff, Simone Mareuil, Salvador Dalí, 17 Min, OmeU
Surrealist film, a classic of art and essay cinema, a unique work and cult, fruit of the powerful imagination of two young minds -Buñuel was 29 years old and Dalí 25- possessing a talent as singular as it is great.
According to statements made by Luis Buñuel, "An Andalusian dog was an anti-avant-garde film, it had nothing to do with the cinematographic avant-garde of the time." Neither in substance nor in form (...) was it going to be called "It is dangerous to look out interior "and" The Marist in the crossbow. "We wrote the script in less than a week, following a very simple rule: not to accept an idea or image that could give rise to a rational, psychological or cultural explanation (...) or 50 complaints in the police station of people who said that the film had to be banned as obscene and cruel, and then a long series of insults and threats began that persecuted me until I was old (...) I love dreams, although my dreams. Dreams are nightmares and that's the most of the time, they're strewn with obstacles that I know and recognize, this madness for dreams, which I've never tried to explain, is one of the deep inclinations that have brought me closer to surrealism. "A chi in andalou“ was born from the convergence of one of my dreams with a Dalí dream".
L’ Age d’or [Das Goldene
FR, 1930, R: Luis Bunuel mit Gaston Modot, Lya Lys, Caridad de Laberdesque, 63 Min, OmeU
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Bread [Las Hurdes, Land ohne Brot]
ES, 1933, R: Luis Buñuel mit Abel Jacqin und Alexandre O’ Neil, 30 Min, Englische Fassung
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
[Los olvidados, Die Vergessenen]
MX, 1950, R: Luis Buñuel mit Stella Inda; Miguel Inclán; Alfonso Mejía, 85 Min, OmeU
The Jaibo, a teenager, escapes from the correctional and meets in the neighborhood with his friends. Together with Pedro and another child, he tries to assault Don Carmelo. Days later, the Jaibo kills in Pedro's presence the boy who supposedly was responsible for being sent to the correctional facility. From this incident, the destinies of Pedro and the Jaibo will be tragically united.
Susanna – Tochter des Lasters [Susana – Carne y demonio, Suzanne Meat or
MX, 1951, R: Luis Buñuel mit Rosita Quintana, Fernando Soler, Víctor Manuel Mendoza, 82 Min, OmeU
Susana escapes from the reformatory where she has been imprisoned for fifteen years, and arrives at the hacienda of Don Guadalupe. There she is received as one more member of the family by Doña Carmen, her son Alberto, the servant Felisa and the caporal Jesus. Answer of his wounds, the peace of this Catholic family will be threatened by the young woman, who introduces the temptation in her womb. Their flirtations and false innocence will ignite the passion of the males of the hacienda, sowing discord among them and leading them to commit madness in order to obtain their caresses.
Deceit [Don Quitin el amargado]
MX, 1951, R: Luis Buñuel mit Fernando Soler, Alicia Caro, Fernando Soto, Rubén Rojo, 80 Min, OmeU
Upon discovering the adultery of his wife María, Don Quintín runs her from home. On leaving, the woman shouts that her daughter Marta is the result of adultery. Bitter, Don Quintín leaves the girl with Lencho and his wife Toña. Years later, María convinces Don quintín that she lied about her fatherhood and that she must return to find her daughter.
A Woman without Love [Una mujer sin amor, Eine Frau ohne Liebe]
MX , 1951, R: Luis Buñuel mit osario Granados, Tito Junco, Joaquín Cordero, 82 Min, OmeU
Rosario, a woman married to a very old doctor, falls in love with Julio, an engineer also much older than her, whom he had met after a mischief of his son Carlos, and ends up becoming his lover. When he proposes to her to flee with him, she does not feel able to do so, since her husband has become ill. After her husband recovers, she decides to have another son, Miguel, who will rival her brother Carlos over the years.
The Brute [El bruto, der
MX, 1953, R: Luis Buñuel mit Pedro Armendáriz, Katy Jurado, Rosa Arenas, Andrés Soler, 80 Min, OmeU
Andrés, the owner of a farm, hires Pedro, better known as Brutus, a bully he has known since childhood, with the idea of intimidating his tenants, who refuse to proceed with the eviction. Brutus is like a big boy, always willing to do what Andres asks of him without questioning him. But when he threatens a neighbor of delicate health, he gives him a blow that precipitates his death.
He [Él, Er]
MX, 1952, R: Luis Buñuel mit Arturo de Córdova, Delia Garcés, Carlos Martínez Baena, 91 Min, OmeU
Francisco Galván is a young single, religious, of good social position and chaste. One Holy Thursday in the church, during the foot washing ceremony, his gaze wanders to the pilgrims until he suddenly stops at Gloria's feet. From that moment on he will look for her and fall in love, even though this turns out to be his friend's girlfriend, the engineer Raúl. The love that seems born of madness will never stop, and Francisco's pathological jealousy will condition all his subsequent behavior.
Illusion Travels by Streetcar [La ilusión viaja en tranvía, Die Illusion
fährt mit der Straßenbahn]
MX, 1954, R: Luis Buñuel mit Carlos Navarro, Fernando Soto, Lilia Prado, Agustín Isunza, Miguel Manzano, Guillermo Bravo Sosa, José Pidal, Felipe Montoya, Javier de la Parra, Paz Villegas, 81 Min, OmeU
Caireles and Tarrajas discover that tram 133, in which they have spent half their lives working, is going to be removed from the service. Both get drunk to console themselves ... and decide to steal it. After a night in which they serve different passengers, they want to return it in the morning, but a former inspector wants to give them away.
Abyss of Passion [Abismos de pasión, Abgründe der Leidenschaft]
MX, 1953, R: Luis Buñuel mit Jorge Mistral, Irasema Dilian, Lilia Prado, Luis Aceves Castañeda, Ernesto Alonso, Hortensia Santoveña, Francisco Reiguera, Jaime González Quiñones, 91 Min, OmeU
Mexican adaptation of the classic "Wuthering Heights", by Emily Brönte. Alejandro returns, after 10 years of absence, to El Robledal, the farm where he lived as a child with his parents and adoptive brothers, with the intention of marrying Catalina, his old love of adolescence. But Catalina is already the wife of another man, so Alejandro, in an act of spite, decides to marry the sister of his rival.
The Adventures of Robinson Crusoe [Las aventuras de Robinson Crusoe,
MX, 1954, R: Luis Buñuel mit Dan O'Herlihy, Jaime Fernández, Felipe de Alba, 90 Min, OF English
In 1659, the Englishman Robinson, the only survivor of a shipwreck, arrives on a desert island. After several years of solitude, Robinson discovers that the island is inhabited by savages. After facing them, he saves a native to whom he gives the name of Friday. Together they will live on the island for several more years, until other castaways appear.
The Criminal Life of Archibaldo De la Cruz [Ensayo de un crimen, Das
verbrecherische Leben des Archibaldo de la Cruz]
MX, 1955, R: Luis Buñuel mit Miroslava, Ernesto Alonso, Rita Macedo, 89 Min, OmeU
The protagonist Archibaldo De La Cruz, a frivolous, idle and obsessive young man in a well-off situation, is convinced that he only has to use the symbolic help of a music box for the death of the women he wishes to become his victims.
Death in the Garden [La mort en ce jardin, Pesthauch des Dschungels/Der
Tod in diesem Garten]
FR, MEX, 1956 R: Luis Bunuel mit Simone Signoret, Georges Marchal, Charles Vanel , 104 Min, OmeU
Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. The police also confiscate the gold mine for the state, due to this the gold diggers start an revolution, but it is beaten. Chark, Father Lizzardi, Castin and his daugher and Djin, a whore to whom castin is in love are fleeing into the jungle. where they start to fight for their lifes.
MX,1959, R: Luis Buñuel mit Francisco Rabal, Marga Lopez, Rita Macedo, Jesus Fernandez, Ignácio López Tarso, 95 Min, OmeU
Nazario is a charitable priest who offers everything he has to others. One night gives shelter to a prostitute who has been injured in a fight. This turns out to be a fugitive from the police, who considers her guilty of murder, so the priest is forced to flee the town for having helped her.
Fever Mounts at El Pao [Los Ambiciosos, Für ihn verkauf' ich mich]
FR, MX, 1959, R: Luis Buñuel mit Gérard Philipe, María Félix, Jean Servais , 97 Min, OmeU
Aroused citizens assassinate an unpopular Caribbean despot, then two men vie for his gorgeous widow Ines. Ojeda is a steamy, isolated island, the penal colony for an oppressive dictatorship. A reactionary seizes the murdered governor's post, and rushes to eliminate his romantic rival, an idealistic underling. The bureaucrat Vazquez hopes to marshal the angry residents of the capitol, El Pao, plus the many political prisoners, to oust Governor Gual.
The Young One [La
Joven, Das junge Mädchen]
MEX, USA, 1960, R: Luis Bunuel mit Zachary Scott, Bernie Hamilton, Key Meersman, 96 min, OmU
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.
ES, MX,1961, R: Luis Buñuel mit Silvia Pinal, Fernando Rey, Francisco Rabal, Margarita Lozano, José Calvo, 90 Min, OmeU
Viridinia (Silvia Pinal) is preparing to start her life as a nun when she is sent, somewhat unwillingly, to visit to her aging uncle, Don Jaime (Fernando Rey). He supports her; but the two have met only once. Jaime thinks Viridinia resembles his dead wife. Virdinia has secretly despised this man all her life and finds her worst fears proven when Jaime grows determined to seduce his pure niece. Viridinia becomes undone as her uncle upends the plans she had made to join the convent.
The Extermining Angel [El ángel exterminador, Der Würgeengel]
MX, 1962, R: Luis Buñuel mit Silvia Pinal, Enrique Rambal, Jacqueline Andere, 93 Min, OmeU
After a dinner at the Nóbile mansion, the guests discover that, for inexplicable reasons, they can not leave the place. As the situation continues for several days, the courtesy in the deal gives way to the most primitive and brutal instinct of survival. A parable about the decomposition of a social class enclosed in itself.
Diary of a Chambermaid [Le journal d'une femme de chambre, Tagebuch
FR, IT, 1964, R: Luis Buñuel mit Jeanne Moreau, Georges Géret, Michel Piccoli, 97 Min, OmeU
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil.
Simon of the Desert [Simón del desierto, Simon in der Wüste]
MX,1965, R: Luis Buñuel, mit Hortensia Santoveña, Silvia Pinal, 45 Min, English Version
Simon stands on top of a stone column in the middle of the desert and prays for six years, six weeks and six days. In that time, he becomes something of a saint to his people, praised for his unwavering devotion and ability to perform grand miracles in God's name. Despite Simon's counsel and ceaseless penance on their behalf, his followers seem doomed to crumble to temptation. And Simon remains plagued by unrest, uncertainty and the devil herself
Belle de Jour [Belle de jour, Belle de Jour – Schöne des Tages]
FR, IT, 1967, R: von Luis Buñuel, mit Catherine Deneuve und Jean Sorel, 99 Min, OmeU
Beautiful young housewife Séverine Serizy (Catherine Deneuve) cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre (Jean Sorel). When her lovestruck friend Henri (Michel Piccoli) mentions a secretive high-class brothel run by Madame Anais (Genevieve Page), Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients (Pierre Clémenti) grows possessive, she must try to go back to her normal life.
The Milky Way
[La voie lactée, Die Milchstraße]
FR, IT, 1969, R: Luis Buñuel mit Paul Frankeur, Laurent Terzieff, Alain Cuny, Edith Scob, Bernard Verley, Michel Piccoli, Pierre Clémenti, Delphine Seyrig, 98 Min, OmeU
Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are drifters who travel from Paris to Spain on the Way of St. James pilgrimage route. On the journey, the two men encounter many strangers who debate aspects of Catholic faith as well as heresies that have been rejected by the religion. Their trek defies time as they meet historical figures such as Jesus and the Marquis de Sade. At the end of their trip, Jean and Pierre are left with more questions than answers.
ES, IT, FR, 1970, R: Luis Buñuel mit Catherine Deneuve, Fernando Rey, Franco Nero, 99 Min, OmeU
When the young woman Tristana's mother dies, she is entrusted to the guardianship of the well-respected though old Don Lope. Don Lope is well-liked and well-known because of his honorable nature, despite his socialistic views about business and religion. But Don Lope's one weakness is women, and he falls for the innocent girl in his charge, seduces her, makes her his lover, though all the while explaining to her that she is as free as he. But when she acts on this freedom, Don Lope must deal with the consequences of his world-view.
The Discreet Charm of the Bourgeoisie [Le charme discret de la
bourgeoisie, Der diskrete Charme der Bourgeoisie]
FR, 1972, R: Luis Buñuel mit Fernando Rey, Delphine Seyrig, Paul Frankeur, 102 Min, OmeU
The ambassador of the Latin American republic of Miranda (Fernando Rey), M. Thevenot (Paul Frankeur), his wife Simone (Delphine Seyrig) and her sister Florence (Bulle Ogier) arrive for a dinner party at the house of Alice Sénéchal (Stéphane Audran) and her husband Henri (Jean-Pierre Cassel), only to learn that they were mistaken about the date. In director Luis Buñuel's surreal fantasy, the six bourgeois friends repeatedly gather for a dinner that never quite arrives.
The Phantom of Liberty [Le fantôme de la liberté, Das Gespenst der
FR, 1974, R: Luis Buñuel mit Jean-Claude Brialy, Adolfo Celi, Michel Piccoli, 103 Min, OmeU
This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.
That Obscure Object of Desire [Cet obscur objet du désir, Dieses obskure
Objekt der Begierde]
FR, ES,1977, R: Luis Buñuel mit Fernando Rey, Carole Bouquet, Ángela Molina, 103 Min, OmeU
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu (Fernando Rey), regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita (played alternately by Carole Bouquet and Angela Molina). What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
17:30 Luis Buñuel: Belle de Jour [Schöne des Tages] F, IT, 1967, R: Luis Buñuel mit Catherine Deneuve und Jean Sorel, 99 Min, OmeU
20:00 Luis Buñuel: That Obscure Object of Desire [Dieses obskure Objekt der Begierde] F, ES,1977, R: Luis Buñuel mit Fernando Rey, Carole Bouquet, Ángela Molina, 103 Min, OmeU
22:00 Luis Buñuel: The Discreet Charm of the Bourgeoisie [Le charme discret de la bourgeoisie] F, 1972, R: Luis Buñuel mit Fernando Rey, Delphine Seyrig, Paul Frankeur, 102 Min, OmeU
22:00 Luis Buñuel: Nazarin, MX,1959, R: Luis Buñuel mit Francisco Rabal, Marga Lopez, Rita Macedo, Jesus Fernandez, Ignácio López Tarso, 95 Min, OmeU
22:15 Luis Buñuel: Der Würgeengel [El ángel exterminador] MX, 1962, R: Luis Buñuel mit Silvia Pinal, Enrique Rambal, Jacqueline Andere, 93 Min, OmeU
17:45 Luis Buñuel: Los olvidados [Die Vergessenen] MX, 1950, R: Luis Buñuel mit Stella Inda; Miguel Inclán; Alfonso Mejía, 85 Min, OmeU
22:15 Luis Buñuel: He [Él, Er] MX, 1952, R: Luis Buñuel mit Arturo de Córdova, Delia Garcés, Carlos Martínez Baena, 91 Min, OmeU
17:45 Luis Buñuel: Ensayo de un crimen [Das verbrecherische Leben des Archibaldo de la Cruz] MX, 1955, R: Luis Buñuel mit Miroslava, Ernesto Alonso, Rita Macedo, 89 Min, OmeU
18:15 Luis Buñuel: Don Quitin el amargado [Daughter of Deceit] MX, 1951, R: Luis Buñuel mit Fernando Soler, Alicia Caro, Fernando Soto, Rubén Rojo, 80 Min, OmeU
19:30 Luis Buñuel: Un chien andalou [ Ein andalusischer Hund] FR, 1929, R: Luis Buñuel mit Pierre Batcheff, Simone Mareuil, Salvador Dalí, 17 Min, OmeU, Live an der Babylon Orgel Anna Vavilkina, L’Âge d’Or [Das goldene Zeitalter] F 1930, R: Luis Buñuel mit Gaston Modot, Lya Lys, Max Ernst, 60 Min, OmeU, Las Hurdes, [Las Hurdes – Land ohne Brot] Sp 1933, R: Luis Buñuel mit Abel Jacquin, Alexandre O'Neill, 30 Min, OmeU
20:00 Luis Buñuel: Viridiana, Sp, MX,1961, R: Luis Buñuel mit Silvia Pinal, Fernando Rey, Francisco Rabal, Margarita Lozano, José Calvo, 90 Min, OmeU
20:00 Luis Buñuel: Das Gespenst der Freiheit [Le fantôme de la liberté ] F, 1974, R: Luis Buñuel mit Jean-Claude Brialy, Adolfo Celi, Michel Piccoli, 103 Min, OmeU
21:30 Luis Buñuel: Suzanne Meat or Demon [Susana – Carne y demonio] MX, 1951, R: Luis Buñuel mit Rosita Quintana, Fernando Soler, Víctor Manuel Mendoza, 82 Min, OmeU
21:45 Luis Buñuel: A Woman without Love [Una mujer sin amor, Eine Frau ohne Liebe] MX , 1951, R: Luis Buñuel mit osario Granados, Tito Junco, Joaquín Cordero, 82 Min, OmeU
22:00 Luis Buñuel: El bruto [The Brute, Der Starke] MX, 1953, R: Luis Buñuel mit Pedro Armendáriz, Katy Jurado, Rosa Arenas, Andrés Soler, 80 Min, OmeU
17:30 Luis Buñuel: Abyss of Passion [Abismos de pasión, Abgründe der Leidenschaft] MX, 1953, R: Luis Buñuel mit Jorge Mistral, Irasema Dilian, Lilia Prado, Luis Aceves Castañeda, Ernesto Alonso, 91 Min, OmeU
18:00 Luis Buñuel: Illusion Travels by Streetcar [La ilusión viaja en tranvía, Die Illusion fährt mit der Straßenbahn] MX, 1954, R: Luis Buñuel mit Carlos Navarro, Fernando Soto, Lilia Prado, Agustín Isunza, 81 Min, OmeU
19:30 Luis Buñuel: Nazarin, MX,1959, R: Luis Buñuel mit Francisco Rabal, Marga Lopez, Rita Macedo, Jesus Fernandez, Ignácio López Tarso, 95 Min, OmeU
Luis Buñuel: Fever Mounts at El Pao [Los Ambiciosos, Für ihn verkauf'
ich mich] F, MX, 1959, R: Luis Buñuel mit Gérard Philipe, María
Félix, Jean Servais , 97 Min, OmeU